The Secret Book of Flara Lea by Patti Callahan Henry is historical fiction. It jumps back and forth between the early 1940s and the 1960s in England. Two sisters were sent from their home during Operation Pied Piper, where the children of London were evacuated to safer locations during the Blitz. Older sister Hazel and little sister Flora are taken in by Bridie and her teenage son, Harry. Hazel, fourteen, takes her responsibility to protect five-year-old Flora seriously. Hazel creates a magical world through stories that she only tells to her little sister. It's called Whisper Wood. Flora tragically disappears. Twenty years later, Hazel finds a book entitled Whisper Wood, by an American author. Is it her sister? Even though this book isn't attributed this way, it felt like magical realism. It kept me guessing through its plot twists.
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I do like a bit of romance. This Story Might Save Your Life by Tiffany Crum is a best friends trope. Benny and Joy are long-time best friends and famous podcasters. Their podcasts feature different scenarios where someone survives a life-threatening situation. One of them knows how, and the other has to guess. It's humorous and heartwarming. Joy has narcolepsy, and she has found herself in several life-threatening situations. The book opens with Joy cryptically passing Benny a note as they record their podcast. The next day, she disappeared. As Benny searches for her, their backstory is revealed. Crum has several I-didn't-see-that-coming moments. I also learned a lot about narcolepsy. It doesn't sound fun. I found the book to be creative and twisty.
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Kate DiCamillo is a magical author. At the recommendation of a granddaughter, I read The Puppets of Spelhorst: A Norendy Tale. It is part of a trilogy that is made up of short novellas. I read an interesting review that talked about passive protagonists in children's books- think Pinocchio- and it made me consider this book from a child's view. Children can perceive themselves as having no power, but large desires. The five puppet characters in this book, a girl, a boy, a king, an owl, and a wolf, aren't magical. They don't come to life. They can only talk to each other, but DiCamillo enlivens them through conversations, observations and by believing in their purpose for being created. She also captures the interaction between the two sisters who receive these puppets. This is a fantastic book, and I look forward to reading the rest of the trilogy.
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